Chopin was born on 1st March 1810 in Warsaw and was to become one of the world’s best known composers and virtuoso pianists. He has maintained worldwide renown as a composer whose “poetic genius was based on a professional technique that was without equal in his generation.” (Rosen, 1995).
The following blogs were designed to be read in order but can be enjoyed individually. I will be presenting some history, alongside some professional videos and some of my own recordings of Chopin’s best loved pieces. I do hope that you enjoy this little encounter with one of the world’s greatest ever piano composers.
Étude Op. 10, No. 3, in E Major is a study for solo piano composed by Chopin in 1832. It was first published in 1833 in France, Germany, and England.
This is a slow cantabile created to assist students with their musical expressiveness and smoothness of playing. For me, it is simply one of the nicest wee tunes I’ve ever heard. Even the maestro himself believed the melody of the piece to be the most beautiful he had ever composed.
The melody became famous through numerous popular arrangements. Although this étude is sometimes identified by the names “Tristesse” (Sadness) or “L’ Adieu” (Farewell), neither is a name given by Chopin, but rather his critics. For me, it is rich in all sorts of feelings and, as such, irresistibly romantic.
I hope you enjoy my recording of this piece which I made some time ago for the “Wedding Album”
The dominant feeling that comes across from the music is a deep sense of nostalgia. This is actually confirmed by some of Chopin’s students. One reported that, on hearing his student play the Etude, Chopin wept and said out loud “ My homeland!”.
It is claimed that Chopin altered parts of the Etude so that a poem by Marian Jozefovicz would fit better to the music. For this reason, I find the following performance of the song derived from the Etude and sung in Polish, very touching. You might also like the version sung by Janus Popławski, a tenor from 1934 which can be found here.
My Polish sister-in-law played the Etude beautifully. My French mother-in-law used to refer to it as Tino Rossi‘s “Tristesse”. I’ve always loved the French version because it reminds me of beautiful summer days in France so many years ago.
There have been many English versions of the song “So Deep is the Night”, heavily based on the Etude. These range from beautiful to mediocre to appalling. One version which is rather delightful sung by David Chittick, is presented below with clips from the film “A Song to Remember” a 1945 musical drama in which Chopin sacrifices everything, even love, for his native Poland.
Many films have used the Etude as background, one notable example being near the beginning of “Testament of Youth”, a highly acclaimed film based on the life of Vera Britten, the late Shirley Williams’ mother.
This blog is the first in a series focusing on my favourite piano composers. I will be presenting some recordings of Chopin’s best loved pieces and I do hope that you enjoy this little encounter with one of the world’s greatest ever piano composers.
Fryderyk Franciszek Chopin was born on 1st March 1810 in Warsaw and was to become one of the world’s best known composers and virtuoso pianists. He has maintained worldwide renown as a composer whose “poetic genius was based on a professional technique that was without equal in his generation.” (Rosen, 1995).
Chopin was a musical prodigy and he had completed many glorious early works by the time he was 20 years old. This first blog focuses on an extremely popular waltz composed by Chopin in the year 1829 at the age of 19. Waltz Op. 69, No. 2. from Deux Valses (“Two Waltzes”) was only published posthumously in 1852. The main theme is in the key of B Minor and is marked with an overall tempo of Moderato.
Chopin’s music has had a broad appeal and many of his melodies are instantly recognisable today. When I was a young psychology student at Glasgow University in the early 1970’s a lovely friend, Anne, gave me a book of Chopin Waltzes. I have always felt daunted by the prospect of playing Chopin but my love of and respect for his music has led me to “try” one or two of his pieces and, now that I am retired, I have even managed to record my efforts.
The piece for me conveys a strong sense of underlying melancholia. There are three different sections. The waltz opens with a beautiful melody that is very popular. For right or wrong, I like to play the opening a bit slower than a lot of players because I genuinely feel that the slightly slower tempo conveys more of the underlying pathos of the piece. Soon the melody changes. It is quicker, lighter, smoother as if the load is lifted a little and is a little bit cheerier in tone. The change to a major key assists this. Then the melancholia returns with the opening theme reestablished toward the end. I suspect my fondness for this piece is due to the way the music seems to mirror perfectly the switches in mood Chopin is purported to have experienced throughout his life.
Although it has achieved great popularity, ironically, it is one of several works that the composer hoped would be burnt upon his death. Thankfully, it wasn’t!